Il Mondo Che Non Vedo, No 201 - Italy by Fabiano Parisi
Il Mondo Che Non Vedo, No 201 - Italy by Fabiano Parisi
Fabiano Parisi
Il Mondo Che Non Vedo, No 201 - Italy, 2016
The historic villa, built in the XVII century, was designed with Baroque and classic revival style. Called the Palazzo delle 100 finestre ( The Palace of 100 windows ) it stands abandoned from the last decades, not far away from Turin, with an incredible patina of decay on the refined stucco decorations and frescoes
C-Type photograph mounted on Dibond in tray frame
81.5 x 118 x 4 cm
32 1/8 x 46 1/2 x 1 5/8 in.
Edition of 8 plus 2 artist's proofs (#4/8)
(FP003)
Fabiano Parisi
b. 1977, Rome, Italy
“I use only natural light and execute my shootings early in the morning. The colours and chiaroscuro are at their best at this time of day and are left untouched by digital image manipulation software.” - Fabiano Parisi.
Parisi’s photographs have an honesty and integrity that is part of what makes them so inviting. The artist often selects buildings with frescoed walls, which create an illusion of a painterly surface in his photographs and a textural sensibility that belies the photograph’s flat surface. His method highlights the patina of these forgotten places.
The artist prints his work himself onto carefully chosen papers that enhance and maximise his colours and tones. Parisi has a strong relationship to Art History; the subject of the ruin was prevalent in the 18th and 19th Centuries, and interest is still strong today as evidenced by Tate Britain’s 2014 exhibition ‘Ruin Lust’. From painters such as Piranesi to Turner to Constable, Parisi is part of an important genre in art.
Fabiano Parisi began his career as a photographer following a degree in Psychology, coming to photography through a project photographing derelict asylums, which sparked his interest in the abandoned buildings which are the subject of his art practice today.
He has two ongoing series: The Empire of Light and Il Mondo Che Non Vedo (The World I Do Not See). The latter title is taken from a collection of poems by Fernando Pessoa, a hint at the poetic qualities of Parisi’s work.
What is so striking about Parisi’s work is his use of light, his relationship not just to history but to the theme of the ruin in Art History, and the composition and surface of his work. The power of Parisi’s work lies in the strength and command of his image-making, never straying from a strictly symmetrical approach, which allows the viewer to assume his viewpoint within the building, the wide-angle lens giving a sense of depth and breadth, without compromising on detail.
Parisi participated in the 54th Venice Biennale, Italian Pavilion and in Fotografia Festival Internazionale di Roma in 2012 at the Macro Museum.
In 2010 he was the winner of the Celeste Prize International for photography in New York; in 2012 he was shortlist for the Arte Laguna Prize, Venice where he was awarded a special Prize and in 2012 & 2014 he was shortlisted & announced finalist for the Young Masters Art Prize (a not-for-profit initiative presented by The Cynthia Corbett Gallery, London).
Fabiano Parisi was a finalist for the Young Masters Art Prize in 2012 and 2014 and is represented internationally by Cynthia Corbett Gallery.